PhoTophe

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Photography has changed the way I see the world around me.

Through it I discover new things and rediscover old ones. Like my island, New Caledonia.

This blog is just me sharing my world through my photography.

Hope you enjoy.

Posts tagged b&w
160 PORTRAITS

City of Noumea

With the spotlight on racism and discrimination these past few weeks, a referendum for independence knocking at the front door of my country and all the tensions that entails, and having experienced racism and discrimination myself… I felt this photo was appropriate.

This huge canvas measuring 16 x 9 metres on the main wall of the Hotel de Ville de Noumea (the Noumea Council building) represent 160 black & white portraits across Noumea’s population. It was part of a photographic exhibition which also included 100 black & white portraits in A0 format exposed around Place des Cocotiers (Coconut Palm Place) to celebrate the City of Noumea’s 160th anniversary. It also shows, for an island, we have an immense ethnic and cultural diversity.

At the time of this exhibition, I was very interested in black & white architectural photos with street lights from a worm’s eye view. Hence my take on the genre. The lights weren’t on when I took the shot so I add that in. Though they were situated across the street, the perspective make them seem to light the wall. Adds a little more interest in the overall image too. A couple of Radial Filters with Exposure, Highlights and Whites turn all the way up lit the street lights and another with an extra stop of Exposure and a lot of Contrast for the 160 portrait canvas. The rest of the edits were very basic, minor touches.

A last reflection, this world is magnificent and beautiful and wonderful and extraordinary. And I’m not just describing the Earth here but also every species on it including us, the one and only race, humans. Our ethnicity, our cultures, our languages, our beliefs, our stories, our histories… and much more is what make us, unique individuals, so different, so interesting, so beautiful in this world worth visiting, exploring, discovering. All of this and much more is what makes this world so magnificent, beautiful, wonderful, extraordinary. Let’s accept each other’s individuality and live in peace ✌🏽

 
SAINT MARY'S AISLE

Sydney

At the time I took this photo, I wasn’t sure I was permitted to photograph the interior. Some religious establishments don’t allow this. I thought the colloquially St Mary’s Cathedral would be no exception. Officially, it is the Cathedral Church and Minor Basilica of the Immaculate Mother of God, Help of Christians and is the cathedral church of the Roman Catholic Archdiocese of Sydney and the seat of the Archbishop of Sydney, currently Anthony Fisher OP. More interesting reading over on Wikipedia.

St. Mary’s Cathedral is absolutely gorgeous inside and out. I remember having a hard time finding a good composition outside to photograph. I was just getting into photography back then. The inside was a different story. Firstly, though I wanted to photograph the interior, I had no idea if I was allowed. Then, as soon as I walked in, the grandeur of the place pushed me to take this obvious composition. The cathedral was empty, not a soul in sight, I quickly checked outside to be sure nobody was coming. I was alone. I quickly setup my tripod, framed, took three bracketed exposures and quickly packed up my gear. Now the mistake I made was to have zoomed in too much and compose horizontally instead of vertically. I can’t remember why I did that but if I hadn’t I would’ve had a lot more scene within the frame. I was inexperienced and didn’t want to get caught though I found later that photographs were allowed inside the cathedral. Oh well, next time I’m in Sydney I give it another shot.

The photo was taken with the Fujifilm FinePix S9500, a bridge camera I had bought just before coming to New Caledonia. When used within it’s limits, the camera can produce good quality images, though a little on the soft side. I can’t recommend it as it has been superseded and there are much better cameras now for the same price.

OK, take care and hope to see you for the next post.

 
Sony a7 III body only.jpg

SONY a7 III

24MP full-frame mirrorless camera from Sony’s Alpha series. Also does 4K video. A great all-round camera.

Tamron 28-75mm ƒ:2.8.jpg

TAMRON STANDARD ZOOM LENS

Tamron E 28-75 mm ƒ/2.8 Di III RXD is a standard zoom lens for E-mount camera. A perfect match for the Sony a7 III.

Vanguard VEO 235AB tripod.jpg

VANGUARD TRIPOD

The Vanguard VEO 235AB with TBH-50 ball head is a 5 section tripod. It’s sturdy, reliable and stores compact for travel. This tripod has served me well for the last few years.

SONY NP-FZ100 battery.jpg

SONY BATTERIES

Sony’s NP-FZ100 lithium-ion from it’s Z series are reliable and long lasting. I always have a second battery with me at all times.

SANDISK Extreme Pro 128GB SDXC 95MB:s.jpg

SANDISK MEMORY CARDS

SanDisk Extreme Pro SDXC memory cards are fast and reliable. With 128 GB you never run out of storage for photos or videos, 4K included. It’s what I choose to use.

WANDRD PRVKE 31Lt..jpg

WANDRD PRVKE

PRVKE 31 lt. travel/camera backpack from WANDRD. Has a laptop sleeve, a tablet sleeve, a hidden pocket, room for a camera insert and storage to spare. Also extends to provide 6 lt. of extra storage. It’s my everyday carry.

 
ONE DAY

Nouville, Noumea

Having a new-born in your life leaves little time to go out shooting. Very busy figuring out a lot of things from the baby’s needs to medical visits, everyday chores and who does what, when. Organisation and finding a routine is key though. Apart from eating and sleeping, babies don’t do much else but a small shifted of just 30 minutes in their routine can make or break your day… and night. Ozalee started to have a fairly steady night routine about five or six days ago. Let’s hope it lasts.

So I may not have a lot of time to go out and about shooting sunrises or sunsets, I do have the time to photograph my baby girl. Videos are important too. They show how they move, react to things, their changing facial expressions, their laughter, the sounds they make and many more things that a photograph can not portray. Don’t worry, I won’t bombard you with baby photos. I have a Lightroom catalogue full of photos I want to share with you.

This photo was taken the day after her birth and at approximately the same time too. She’s one day old here. I took a few shots from different angles and this was the best of the lot. The photo was taken with the Sony a7 III with the Tamron 28-75 ƒ2.8 lens, zoomed all the way in at 75 mm. I went with an aperture of ƒ/4 to get enough depth of field to get all her eye in focus. A shutter speed of 1/125th second was plenty as she wasn’t moving. The ISO was too high for my liking but I had no choice with just a small light illuminating the room. I was pleasantly surprised though to see the photo void of noise. The light, shadows, tones and subject made for a beautiful black & white conversion and very little edit was needed. I’m going to get this one printed for sure.

Well thank everyone for you patience and putting up with my baby photos. Hope to see you in a few days for an old photo dating back to 2013.

 
Sony a7 III body only.jpg

SONY a7 III

24MP full-frame mirrorless camera from Sony’s Alpha series. Also does 4K video. A great all-round camera.

Tamron E 28-75mm ƒ/2.8 Di III RXD.jpg

TAMRON STANDARD ZOOM LENS

Tamron E 28-75 mm ƒ/2.8 Di III RXD is a standard zoom lens for E-mount camera. A perfect match for the Sony a7 III.

SONY NP-FZ100 battery.jpg

SONY BATTERIES

Sony’s NP-FZ100 lithium-ion from it’s Z series are reliable and long lasting.

SANDISK Extreme Pro 128GB SDXC 95MB:s.jpg

SANDISK EXTREME PRO

SanDisk Extreme Pro SDXC memory cards are fast and reliable. With 128 GB you never run out of storage for photos or videos. It’s what I choose to use.

Giotto Lens Cleaning Kit.jpg

GIOTTO CLEANING KIT

This lens cleaning kit from Giotto includes a Rocket blower, a soft dust brush, pointed/rounded cotton buds, a microfibre cloth and cleaning solution. I also use it to clean the outside of my camera.

UES Full Frame Sensor Swabs.jpg

UES CLEANING SWABS

Cleaning swabs by UES for full-frame sensor cameras. DSLR or mirrorless. I clean my camera sensor at least once a year, more depending on where I’ve been.

 
OZALEE

Noumea

I have the immense pleasure in announcing to you the birth of our daughter, Ozalee, born on the 3rd May 2020 at 4:55 p.m.

I apologies for the lack of content lately but as you now know, my attention was elsewhere. Mother and baby are doing great and arrived home from the clinic yesterday. The beginning of a new chapter in my life and I’m very excited about it. Anyway, I won’t go all gaga on you, suffice to say I’m on cloud 9.

I’m absolutely stoked about this portrait of Ozalee. Things happen quickly at birth and the baby constantly moves. Taken only an hour and a half after birth, I was praying I had gotten the shot. There isn’t a lot of light in the delivery room so I used a high ISO (3200). Aperture was wide open (ƒ/2.8) to let in as much light as possible and shutter speed (1/160th) at least twice that of my focal length (64 mm) to make sure I freeze the moment. I used AF-C (continuous auto-focus) to nail the focus every time. OK, I missed a few times but it worked most of the time. And I got the shots because I used Hi-speed shooting to capture that crucial moment.

I can’t tell you how priceless these photos are. Unlike studio shoots where you have the time to stimulate and grab the baby’s attention to capture expressions and poses, in the delivery room you don’t have the luxury of time. You have to take advantage of every opportunity to snap as many photos as possible. There’s no second chance here. Studio photos are taken a week or more after the birth… you can do them any time. They’re beautiful and amazing too and a must for anyone who can afford to do them. But a photo of your baby seconds, minutes, hours after birth are memories you’ll cherish all your life.

Enough said, I hope everyone’s staying safe and are still using the protective measures. This thing isn’t over yet. Stay safe and cherish the moments with your loved ones.

 

SONY a7 III

Sony a7 III (body only) a full-frame, mirrorless camera. A great all-round camera.

TAMRON STANDARD ZOOM LENS

Tamron E 28-75 mm ƒ/2.8 Di III RXD standard zoom lens for E-mount cameras.

SONY Z SERIES BATTERY

Sony NP-FZ100 lithium-ion z series battery.

SANDISK MEMORY CARD

SanDisk Extreme Pro 128 GB SDXC memory card. Fast and reliable.

GIOTTO CLEANING KIT

Giotto cleaning kit for lenses includes a rocket blower, a dust brush, pointed and rounded tip cotton buds, a microfibre cloth and a cleaning solution.

UES CLEANING SWABS

UES cleaning swabs for full-frame sensors.

 
THE BREAKTHROUGH OF DAWN

La Roche Percée, Bourail

This time last year I was at La Roche Percée with a friend who was minding a house just beyond those trees on the far side of the beach. I took advantage of the opportunity to try out the Sony a7 III with the Tamron E 28-75 mm ƒ/2.8 Di III RXD standard zoom lens, that I had bought the month before. No dramatic nor spectacular sunrise that morning but, nonetheless, came away with this tranquil black & white image.

To get to La Roche Percée, you need to go to Bourail first, which is about two hours drive from Noumea, on the west coast. From there you head west by making a left turn onto a road situated just after the bridge (at the entrance of Bourail village) and opposite the Hotel La Nera. Then just follow the road till you see a sign for La Roche Percée and the Bonhomme de Bourail. There’s also a sign at the bridge for the turn off. The Bonhomme de Bourail is a landmark in New Caledonia and so is the beach but also the, actual, pierced rock. A cliff side situated next to the landmark with a, well, whole in it. At low tide you can walk through to Turtle Bay on the other side. The far end of La Roche Percée is popular with surfers and boogie boarders. It’s one of the rare beaches in New Caledonia to have waves. Another reason for me being here, apart the one mentioned above, was the hope to see, at least, one turtle lay her eggs on the beach. It was the time of season and the peninsular is THE place for this event. Up to three hundred turtles have been recorded to nest here in one season. Just amazing. Apart from seeing a few nests around, I didn’t see any turtles at all. My friend and her kids, on the other hand, saw baby turtles race to the water. So lucky. Yes, I’m jealous.

Because it had been raining on and off for the last few days, I had hopes for a dramatic sunrise. Of course, it was nothing of the like. Apart from a few clouds rolling in from the east, it was clear skies everywhere else but I took a few photos nonetheless. For this image I used the Lee Little Stopper (a 6-stop Neutral Density filter) to get a long exposure and a Lee ND.9 Soft Grad. (a 3-stop Neutral Density soft gradient filter) to tone down the bright sky. I don’t have a lot of filters and this was probably my second time using them. I had to try them out and get used to them if I want to take full advantage of it. I was pretty happy with the results. I didn’t do a lot of editing, just adjusted my White Balance before converting to black & white then I just dropped the Highlights and brought out the Shadows. Brushed a bit of Texture over the rocks in the foreground to make them stand out more and a Radial Filter with a bit of Exposure to lighten up just a touch the bottom two thirds of the image. That’s it.

The black & white conversion made for stronger and prominent features. In colour, the image was bland and not very pretty. The conversion also seem to make the image more peaceful, isolated, minimalist. There’s nothing great about this shot but there’s something about it that makes me like it.

 

SONY A7 III

24MP Full-Frame Mirrorless Camera (Body Only)

TAMRON 28-75MM Ƒ2.8

Sony E-Mount Lens

LEE LITTLE STOPPER

6-Stop Neutral Density Filter

LEE FIRECREST ND.9 SOFT GRAD

3-Stop Neutral Density Soft Gradient Filter

 
 
TRANQUIL LEMONS

Noumea, New Caledonia

I was doing a bit of cleaning up in my Lightroom catalogue and came across this photo. It dates back to March 2018. I was using a Canon EOS 1300D with a kit lens that I had won in a photo competition. I remember I was out at La Baie Des Citrons (Lemons Bay) trying to capture a sunset. Nothing spectacular happened but I stayed through blue hour trying long exposures.

Blue hour, on the other hand, was beautiful. With everything blue, I remember imagining this photo in black & white before I even took the shot. I wanted a long exposure so I went with the maximum the camera would allow without a remote, which is 30 seconds. To get the cleanest image possible, a very low ISO is necessary, in this case 100. An aperture of ƒ/6.3 gave me the exposure I needed to capture the photo I wanted. The thin clouds are totally smoothed out, the water as well though it was already pretty still. Plain and simple.

Post-processing was a matter of simplifying the image further. Getting rid of all distractions like buoys, sail boats, birds, stars trails and dirt spots from my lens. All that’s left is the ruins of a wharf and the marker, perfect. That’s exactly what I wanted, a minimalist image. I might get this one printed.

All my research about this dilapidated wharf were in vain. The remnants show it used to start from the Four à Chaux (Lime Kiln) of La Baie des Citrons. I’m guessing it may have something to do with that. I would love to get some information on it so if anyone knows something, please drop me a message over on Twitter (@Hervouet) and I’ll update this post with the info. Thank you.

SHIBUYA

Tokyo, Japan

As this is our last evening and opportunity to do some shopping in Japan, we decided to spend it in Shibuya. Apart from the shopping, there are a couple of other reasons we wanted to come here. The world’s busiest crossing and the world’s most loyal dog.

And you find both at the exit of one of the busiest train stations in the world, Shibuya Station. A popular meeting place and a symbol of enduring loyalty and fidelity, the Hachiko Statue is of a Japanese Akita dog. It’s the story of the dog, Hachiko, that gives significance and importance to the somewhat unimpressive statue. Every day at Shibuya Station, Hachiko would be waiting for his master from his commute home. This continued until the Akita’s death, nine years after his master, Hidesaburo Ueno, died at work from a cerebral hemorrhage. An endearing story that has been turned into movies and books.

We got very lucky when a lady showed up with her Akita to pose in front of the statue. What a gorgeous dog. She was hoping that he would sit still long enough to snap a photo in front of the statue but he was too excited. You can’t blame him though. With hundreds of people in front of the statue, snapping photo after photo, there was no way he could be calm. So glad I got this shot though.

Shibuya’s Scramble Crossing is probably the world’s busiest pedestrian intersection. At peak hour on a Friday or Saturday evening, there can be up to 3000 people crossing this mind boggling intersection at once. It’s quite an experience being in the middle of it all too. The start of the crossing happens fairly quickly with people darting in all directions and you think to yourself “It’s not so bad, there’s plenty of room”. Nearing the centre though is a different story as the pace slows drastically, almost to a halt. People avoiding collision from every direction and now your thinking “There’s no way we make the other side before the cars get the green light”. After what seems like minutes have gone by and you haven’t moved much, the pace pick up and people disappear in different directions. And no joke, cars were already on their way across the intersection as we stepped onto the footpath. Never thought I’d get excited about crossing an intersection.

There are places all around the Shibuya Scramble Crossing to watch the chaos. The Shibuya Station footbridge, the Occitane Cafe, Starbucks, Mag’s Park, just to name a few. We got a coffee at Starbucks and settled on the second floor to capture some images and footage. Also got a quick time-lapse from the footbridge on the way back to the hotel.

Not only a commercial and business centre, Shibuya is also a huge shopping district, a major nightlife area and one of Japan’s fashion hubs for young people. It’s just one of those place you have to visit.

KOBE MERIKEN PARK ORIENTAL HOTEL

Kobe, Japan

I got up before sunrise in hopes of a shot of the Kobe Great Bridge all lit up with beautiful light as a backdrop but, unfortunately, neither happened. The bridge lights switched off just as I was setting up and sunrise wasn’t spectacular in any way. There was no interesting compositions either. Port Of Kobe is more beautiful at night than the day.

After the sun had risen, I went for a stroll around the area and saw this Be Kobe sign, meaning Kobe Bay. I realised I didn’t have a photo of our hotel and thought it made for a nice snapshot. Though it was still early morning, there were no interesting shadows, the sky was blue with no interesting cloud structures, it was a pretty bland scene. Thus the black and white conversion. Like I said, just a snapshot of where we stayed.

The Kobe Meriken Park Oriental Hotel is shaped like a ship and is prominent on Port Of Kobe. A luxurious hotel where every room has a view. We had the northern views which looks out towards the city. The best view, in my opinion. We didn’t eat at the hotel but had a nightcap at the View Bar which looks out to the north and west. Apart from a singing pianist, it’s pretty low key and quiet. Perfect to wind down. It was one of two accommodations we splurged on. And it was all for the location and views.

28 mm, 1/10th second @ ƒ/11, ISO 100

A TEMPLE'S VIEW

KYOTO, JAPAN

Kyoto Tower is very visible from inside Higashi Honganji Temple. You may of seen my first post from Japan that shows a different perspective. I didn’t know this but Kyoto Tower is the world’s tallest non steel-frame construction. Interesting huh ?!

So one of the reasons I took this shot was because the side exit of the temple made me think of an underground tunnel leading to the tower. Wish it was true.

I went with black and white here, simply because of the high contrast and the coloured version was boring. Love the trees too. Oh and I also added a slight split-tone to the shadows to cool the image just a touch.

1/200th seconds @ ƒ/11, ISO 100, 60 mm

SHINAGAWA STATION

TOKYO, JAPAN

First of all, I’ld like to apologies for the lack of posts. I thought I was going to be able to post a photo a day but I quickly realised it wasn’t going to be possible. With early mornings, late nights, days full with travel and visits, the only time I had was on the long train rides between cities but I used that to catch up on some sleep. I didn’t think our days were going to be so long and full. Anyway…

The second train we caught on our first day in Japan was a bullet train to Kyoto from Shinagawa Station. Two high speed trains past our platform before ours arrived. The first one took us by surprise with a gust of wind pushing us off balance. I captured the second train with a slow shutter to show motion but fast enough to freeze the people waiting on the platform. They weren’t moving much. We don’t have trains in New Caledonia so this is a photo I’ve been waiting to capture for a while. Glad I got the Japanese characters on the board too.

All station notices are in Japanese and English so it’s was fairly easy to get around if you understand English. You just need to take your time to find the right signs. We also used two apps to get around by trains, Google Maps and Hyperdia. The latter is free to use for two (2) weeks then you need to pay for a month or a yearly subscription. The free offer was perfect for us. Oh and I highly recommend getting the JR Pass if you intend on traveling around Japan in high speed trains and/or a rechargeable IC Card for inner city trains. We didn’t use the IC Card as our JR Pass could be used on the inner city trains we used. You need to buy the JR Pass in advance though, before you head to Japan. You’ll received a ticket that you’ll exchange for the actual pass once in Japan. The airport is probably the easiest place to do that. It’s a little more difficult to find a place outside the airport. By our calculations, we saved around 40% by purchasing the pass. Up to you to do your research.

So I’m back home now but I’ve got a lot of photos of Japan I’d like to share with you. See you on the next post. Oyasuminasai.

1/15th second @ ƒ/11, ISO 400, 28 mm

POURING A RIVER

I took a few photos along Route De Prony (Mont Dore, New Caledonia) heading back home from the Néocallitropsis refuge. I wanted to try out the welder’s glass as a filter on flowing water. I found this bridge interesting with it’s huge tube-like holes and as I headed down stream I found this composition. I love the way the water flows from the holes of the bridge and over the rocks in the foreground. And the mountain in the background adds depth to the image. I really like this photo.

The light was nice due the the overcast day. It helped to extend the long exposure with the small aperture used. I think I focused on the rocks in the foreground which I think was a mistake as I find the bridge slightly on the soft side. Not as sharp as I would have liked. Otherwise very happy with the exposure and composition. And the edit. You may not know but welder’s glass has a strong green tint which, I find, is very difficult to remove completely. Not impossible but more work than I’d like to do in post. The reason why I convert these images to black & white. Next to no colour correction needed.

10 sec @ ƒ/11, 55 mm, ISO 100

A DAY IN THE SNOW

My friend decided to kill two birds with one stone by visiting Sydney for the first time and keeping her promise to her daughters that they would see and play in the snow. So we headed down to Jindabyne, just south of Canberra (Australia). We stayed two nights there so as to have a whole day in the snow at Thredbo.

These are the only photos I took and I’m the first to admit they’re not very good. I was busy taking souvenir snapshots of the kids. The first couple of photos were taken on the beach at Jindabyne Holiday Park. The rest are from Thredbo.

LANDING

From across The Last Dock you can see this magnificent building. I have no idea what it’s called nor it’s exact location. I don’t think it was finished long ago as I couldn’t find it on Google Maps but it looks like it situated around Wharf Landing Park in Docklands (Melbourne, Australia), not far from Bolte Bridge. No other buildings around it for now but I’m sure that won’t last long.

I took a few photos of this building at blue hour and in broad daylight. I preferred the later because it had a lot more contrast, which suits the subject better. This is one of those times I wish I had filters. I think this scene is perfect for a very long exposure to smooth out the clouds and the water. The image would’ve had an out-of-this-world kind of mood. And produce a cleaner photo. The filters are on my list of things to buy.

1/1000 sec @ ƒ/5.6, 55 mm, ISO 100

REFLECTING ON NEWQUAY

The rain had stopped and left puddles everywhere. Nonetheless, it took me a while to find this composition. I like it because it reflects what is not shown. You can just see the Paladio building, the sculpture Silence and even the blue glass building.

I wanted to get down lower but my tripod wouldn’t let me. The centre rod was in the way. I ended up moving back a little farther and zooming in to get a lower perspective. And to bring the background a little closer too. I had edited this photo in colour and was going to share like that but something was bothering me about the image. I couldn’t put my finger on until I converted it to black & white. It was the colours. They weren’t doing justice to the photo. I reset the edit and started from scratch. Colour can be such a distraction in an image.

1/5 sec @ ƒ/8, 29 mm, ISO 100

SPIKY & THE TWINS

A little farther down Newquay Promenade (Melbourne, Australia), I saw these wonderful buildings. The unusual architecture of the spiky, teardrop shaped tower and the leaning twins behind made for a great photo. I didn’t search for a composition here. I saw, I took the shot.

Another day shot so I went for a black & white edit. I darkened the blues to give more contrast to the photo. The sun and the buildings did the rest.

Not much to talk about here. I don’t know the names of the buildings but you’ll see more of them in the next couple of posts.

1/800 sec @ ƒ/5.6, 55 mm, ISO 100

ARCHITECTURAL PLANK

Newquay (Melbourne, Australia) has many high rise buildings along it’s promenade. I’m guessing but I think many of them are residential apartments. We rented one of them in this building called Palladio. Secure building with modern interiors and stunning views. We were on this side and had views of Docklands, Etihad Stadium and the city behind it. Absolutely gorgeous! I took a panorama from our balcony which I will share with you on a later post. For the moment, we’ll keep heading down Newquay Promenade.

This plank looking structure is actually U-shaped and as soon as I walked underneath it, I had to include it in the photo. Quite difficult to get the right angle and I ended up with a sore neck for a few minutes afterwards. Hand-held shot taken late in the morning, which is the reason I went with black & white. The building has no colour and blue skies are just perfect for b&w. I just had to darken the blues, increase the contrast and voilà.

1/1000 sec @ ƒ/3.5, 18 mm, ISO 100

ANCHORED IN AIR

I was heading back to the hotel, one late afternoon, and spotted this anchor decoration in mid air. I was more interested in the Etihad Stadium (Melbourne, Australia), which was just behind me, but then I saw the street lights. They reminded me of black & white architectural photos that I had seen with street lamps. Since I wanted to take a photo of the anchor, adding the lights made the photo more interesting. Including the buildings on the bottom and left, it framed the anchor in mid air. I was going to remove the cables holding the anchor but I thought you would think this image was a composite. This is a street photo and what I want to come across.

1/400 sec @ ƒ/3.5, 18 mm, ISO 100

RESIMAX

I had almost walked by this alley when I turned my head and I have no idea what made me stop but I’m glad I did. There’s so much to look at, so many interesting things that I had to take a photo. My favourite thing is the beautiful wooden sculpture. I’ll let you find it yourself. What about the guy jumping? I was lucky to shoot at that precise moment. I find everything interesting about this photo. The bar in a small alley. The group of men (and a woman) standing outside the bar. The couple on the right. She’s kneeling, he’s jumping. The different lanterns on both sides of the alley. The signs. The paved strip in the middle of the alley. There are even surveillance cameras. And not to forget that gorgeous sculpture that blends itself with the tree in front of it. Just amazing.

Love the scene but unfortunately I missed my focus. I was pretty sure I had nailed it on the group of men but it looks more like it focused on the 10 km/h street sign. I have no idea how that happened. Not happy though. Black and white was the obvious choice to go with here for me as there’s a lot of contrast in the scene.

1/80 sec @ ƒ/5.6, 55 mm, ISO 800

BOURKE'S BRIDGE

I mentioned only last post that the photo was taken atop the stairs of the Bourke Street entrance to the Southern Cross train station. Well turn 180º and you get this view. A walk bridge with a small shopping mall on the right side and entrances to the station on the left. The bridge passes over the rails that cut Bourke Street in two. You have a great view of the railway tracks and the station from the bridge.

Because of the lack of colours in the photo, I went with black & white and added the slightest of blueish split-tone to it. The photo is cooler and darker with a slight silver tone. I really like this effect. It doesn’t work on all black & white photos though.

1/80 sec @ ƒ/5.6, 55 mm, ISO 800

TREASURING MUSIC

Continuing on with street photography, I took this shot fairly quickly to capture this guy listening to… well, I’m guessing, music. His posture alone would make you think this scene was all set up but not at all. That’s what I love about this photo. I wasn’t going to photograph this building at all and I had actually walked by it only an hour before hand. Seeing this guy with headphones, taking in some sun I had to take a shot. But I wanted to make sure the image showed where he was without photographing the whole building. Unfortunately and stupid me, I was so concentrated on getting the inscription plate in the shot that I focus on that instead of my subject. Silly, silly me.

If you’d like to know more about the Old Treasury Building which is now a museum (Melbourne, Australia), just check out http://www.oldtreasurybuilding.org.au

1/250th @ ƒ/5.6, 55 mm ISO 200